It’s been a long strange trip, to borrow a phrase from another legendary group, but to see the band Kansas in their current iteration four times in the last year is something I never would have expected to do. Certainly not back when I was spending hours on end listening to their albums ‘Song For America’ and ‘Masque’ in my youth. The current lineup has a very strong chemistry and has gelled into a powerful touring band. Their performnaces, which sometimes go for 2-hours, are inspiring, and hearing all those great songs delivered so perfectly and with such passion is an uplifting experience.
Just to back up a little, with the end of the 1970s and the release of ‘Point of Know Return’ my interest in the band waned. I did like the early 80’s era with John Elefante and songs like “Fire With Fire” and “Play The Game.” I was impressed that the band was able to transition successfully and update their sound. But after that I didn’t listen to them for a long time, even with Steve Morse on board. Not until recently when my wife’s undying devotion to their music, particularly from those ensuing years when I wasn’t listening, rekindled my interest. And then she got us tickets for a show in Atlantic City in early 2016.
I’m not typically into bands from my youth that are now in some reconstituted form with maybe one or two original members. But…Kansas is very different...THIS Kansas is a still viable and living band.
A New Found Enthusiasm
Seeing them perform at the Trump Taj Mahal in February 2016 was a pleasant surprise… they were amazing! And the attendance was more than respectable…it was a full house and an enthusiastic audience. The three other shows we’ve seen in the past year were no less impressive and coincided with me getting back into regular practice on the drum set. I’ve wanted to improve certain aspects of my playing that I feel have been neglected despite regular performance for almost 40 years and these guys kicked my butt to do it.
I’m not typically into bands from my youth that are now in some reconstituted form with maybe one or two original members. But this current Kansas is very different. True, there are only two members from the original lineup – drummer Phil Ehart and guitarist Rich Williams – but bassist Billy Greer replaced original bassist Dave Hope in 1985 so he’s virtually an original member by now. He brings so much to the table with great bass playing and vocals, plus he was a member of Steve Walsh’s band Streets. The other members, violinist/guitarist David Ragsdale, keybordist David Manion, and vocalist/keyboardist Ronnie Platt are all virtuosos in their own right and complete a stellar lineup. It’s my honest opinion that Ronnie is the best choice the band could have made to replace original vocalist Steve Walsh. Mr. Ragsdale is not only a brilliant violinist but also an incredible guitar player, ripping some of the best Kansas guitar solos. And David Manion is worthy of inclusion in the pantheon of progressive keyboardmen like Emerson and Wakeman.
I highly recommend seeing Kansas in all their polished and powerful presence.
And of course, drummer Phil Ehart is nothing short of amazing, pounding out the best of Kansas’ repertoire on the drums for two hours straight each night. I know what kind of stamina this requires. His uique self-taught style has always been a big influence in my own playing. I’ve been performing “Down The Road” from Song For America in different cover bands for many years, and Phil’s intricate parts are always a challenge to pull off right.
Of particular note is the inclusion in the lineup (as a pemanent member) of good friend Zak Rizvi on guitar. Zak is a fellow New Jersey musician and has the disticntion of co-producing and co-writing the new album, The Prelude Implicit. It’s great to see him reach this level of accomplishment in his career and I’m looking forward to the band’s future creative efforts with him involved.
I highly recommend seeing Kansas in all of their polished and powerful presence. Each performance has been flawless. This is not a retread act just going through the motions…these guys truly love what they do and the music is as fresh, intricate and passionate as ever. It shines through in every performance.
You can visit the band’s official website at Kansasband.com
A Note About The Pictures
The photos in this post were made with my iPhone 7 Plus smartphone. This goes against my core belief regarding how I choose to practice photography. I am not a proponent nor a practitioner of smartphone ‘photography.’ But it was the option I chose for the show because I didn’t want to worry about my camera all night and I didn’t know if they would let me in with it. Getting good pictures with the phone was difficult at best, what with zooming in, having to deal with resulting shake and shutter lag, and the harsh JPEG artifacts caused by the poor quality of light (intensity). I made a lot of pictures anyway but found myself wishing for my Fujifilm X-T10. But the problem with that is it’s currently fitted with a fixed focal length 35mm lens, which would’ve been too wide for getting closeup photos from where I was sitting. So I used the phone…it was just more convenient.
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